| Jayam | |
|---|---|
| Directed by | Teja |
| Produced by | Teja |
| Written by | Teja (story / screenplay / dialogues) |
| Starring | Nithiin Sadha Gopichand |
| Music by | R. P. Patnaik |
| Cinematography | Sameer Reddy |
| Edited by | Shankar |
Production company | |
Release date | |
Running time | 152 minutes |
| Country | India |
| Language | Telugu |
Victory) is a 2002 Indian Telugu-language romantic action drama film written, produced and directed by Teja under the Chitram Movies banner. Nithiin, Sadha, and Gopichand starred in the lead roles and music was composed by R.
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Jayam (transl.Victory) is a 2002 Indian Telugu-language romanticaction drama film written, produced and directed by Teja under the Chitram Movies banner. Nithiin, Sadha, and Gopichand starred in the lead roles and music was composed by R. P. Patnaik.[1] It was remade by M. Raja in Tamil with the same title in 2003.
Plot[edit]
In a village, the parents of first cousins Sujatha and Raghu decide that the children will marry one another when they grow up. Raghu is seen to be arrogant and negatively shaded since young. He smokes and steals money from his father to gamble. Once when Raghu attacks Sujatha's classmate when he helps her, Sujatha breaks all bonds with Raghu. When Raghu's family moves to another village, Sujatha and Raghu do not even say goodbye to each other. Meanwhile, Raghu's father gifts Sujatha with silver anklets and requests her to never remove them, to which she obliges. Several years pass by. Raghu and Sujatha are very distanced. Sujatha grows up to be a beautiful teenage girl whereas Raghu becomes a rogue and a womanizer. Every time his mother speaks of Sujatha, he feels disgusted. He goes to the extent of sleeping with his servant.
Meanwhile, Sujatha goes to college where she meets Venkat. Venkat is from an extremely poor family and does small jobs to support his single mother, and pay the money lender. He has a decent group of friends and they are classmates with Sujatha. Venkat has an instant crush on Sujatha, which Sujatha does not reciprocate. Venkat asks Sujatha to come to the temple festival, to which she refuses. But in the end, Sujatha comes, indicating that she is in love with Venkat. Venkat and Sujatha start dating and communicate with each other on the train by writing to each other on the blackboard at the side of the train.
Once, when building up the courage to board the same compartment in the train as Venkat, Sujatha is spotted by the family astrologer. She goes home scared and as she had expected, the astrologer had told Sujatha's father. Her father tells her that she would be married to Raghu just as was decided years ago. Sujatha protests, but her father stays firm. This results in Sujatha dropping out of college and staying at home.
Raghu comes for the engagement reluctantly (still thinking of their childhood encounter), but instantly falls for her the moment he sees her. He warns Sujatha that she would never go away and marry him in the end. They both are engaged. Sujatha has a younger sister Kalyani, who turns out to be the messenger between her and Venkat. She gives a message to Venkat to meet Sujatha at the temple. The whole family goes to the temple after the engagement and there Sujatha sees Venkat waiting for her. She is spotted talking to Venkat by Raghu and his gang and they mercilessly beat him up. Traumatized, Sujatha runs to her father, but Raghu indirectly warns her family that things would turn out wrong if Venkat is seen anywhere near Sujatha.
He then mysteriously comes into Raghu's home and writes that he would be the one marrying Sujatha in the end, in blood, triggering Raghu. Fearing that Venkat would come and take Sujatha away, Raghu sends his men to Venkat's house. They trash the whole house and the things inside, sparing his mother. His mother tells Venkat's friends that he should come back with Sujatha and if he does not, she herself would kill him. Same thing happens in Sujatha's home on their wedding day he writes he will take Sujatha at 7:00. Raghu in a rush, asks the family to hurry and complete the wedding. Sujatha goes into the room to change but in reality, she is waiting for Venkat, after seeing his message on the wall. Raghu comes and breaks open the door and at the same time, Venkat comes through the roof and rescues Sujatha.
Angered and defeated, Raghu goes after the couple and a chase ensues which results in Venkat getting wounded by Raghu. The couple and Venkat's friend who helped them, escape in the train with the help of the conductor. But Raghu enters the train with his men and the couple escape to the roof, where they are cornered. To save themselves, they jump off the train and roll down to a forest. To their shock, Raghu and his men come there as well. After gaining confidence from Sujatha, he fights with Raghu. Raghu is defeated in a face-to-face combat with Venkat, and Venkat marries Sujatha.
Cast[edit]
- Nithiin as Venkataramana
- Sadha as Sujatha
- Gopichand as Raghu
- Siva Krishna as Sujatha's father
- Prasad Babu as Raghu's father
- Suman Setty as Ali Baba
- Rallapalli Narasimha as priest
- Satti Babu
- Shakeela as Gnana Saraswathi
- Delhi Rajeswari as Sujatha's mother
- Srilakshmi as Nurse
- Alapati Lakshmi
- Nirmala Reddy
Soundtrack[edit]
| Jayam | ||||
|---|---|---|---|---|
| Film score by | ||||
| Released | 2002 | |||
| Genre | Soundtrack | |||
| Length | 42:05 | |||
| Label | Aditya Music | |||
| Producer | R. P. Patnaik | |||
| R. P. Patnaik chronology | ||||
| ||||
Music was composed by R. P. Patnaik. Lyrics were penned by Kulasekhar. Music was released on ADITYA Music Company.
| No. | Title | Singer(s) | Length |
|---|---|---|---|
| 1. | 'Veeri Veeri' | R. P. Patnaik, Chorus | 3:32 |
| 2. | 'Bandi Bandi' | Ravi Varma, Balaji, R. P. Patnaik, Chorus | 5:35 |
| 3. | 'Enduko' (Male) | R.P. Patnaik | 4:52 |
| 4. | 'Nestama' | R. P. Patnaik, Usha | 1:24 |
| 5. | 'Priyatama' | R. P. Patnaik, Usha | 5:02 |
| 6. | 'Gorantha Deepam' | R. P. Patnaik, Gayatri | 1:01 |
| 7. | 'Evvaru Emanna' | R. P. Patnaik, Usha | 4:05 |
| 8. | 'Enduko' (Female) | Usha | 4:49 |
| 9. | 'Raanu Raanu' | Teja, Usha, R. P. Patnaik | 4:48 |
| 10. | 'Prema O Prema' | K.K. | 3:25 |
| 11. | 'Dushkaram' | Group Song | 1:09 |
| 12. | 'Jayam' | Group Song | 1:51 |
| Total length: | 42:05 | ||
Awards[edit]
- Filmfare Award for Best Male Debut - South – Nithiin
- Filmfare Award for Best Actress – Telugu – Sadha
- Nandi award for best villain - Gopichand
References[edit]
External links[edit]
- Jayam on IMDb
Jayam Ravi and Kajal Aggarwal starrer Comali released on August 15.Comali has found its way on Tamilrockers. The week’s solo Tamil release, starring Jayam Ravi, is now available for illegal download. This comes despite Madras High Court’s attempts at challenging the website.
Earlier this year, a high court order blocked Tamilrockers and other similar illegal websites. Despite this, the site continues to operate freely. It keeps changing its domain extension every single time, so it is hard to keep track. It can also be accessed through proxy servers.
Earlier, Tamilrockers was limited to Tamil film industry but has since expanded to Bollywood and even high-profile Hollywood films. Even episodes of TV Shows like Game of Thrones have been leaked by Tamilrockers.
Comali is Jayam Ravi’s 24th flick. Talking about the title of his film, Ravi said, “The title is apt for the script. Comali is a feel-good film and has zero negativity. There are a lot of things we have forgotten in the past and this film makes us revisit them. The ‘feel-good’ factor comes from nostalgia. For example, water is being sold now—but that didn’t exist, as a concept, 20 years ago. We would have laughed if someone said this back then. These kinds of changes are inevitable. So, the question is did “Comalis” change us or are we the actual ones behind this ‘change’? Comali is a beautiful film, sugar-coated with entertainment and comedy.”
Comali, meanwhile, has opened to good reviews. Indianexpress.com’s Manoj Kumar R wrote in his review, “Comali is an out-and-out mindless entertainer. But it somehow manages to hit the right chord on several counts. It deserves to be appreciated for its effort to repose people’s faith in the goodness of human beings. It is also sort of reminds us where we come from and the things we have lost in the name of progression.”
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