Procam 2d

  



EXPERTISE
From pre-commission and all stages of production, through to delivery, our technical experience allows us to advise on the latest technology, whilst expertly manoeuvring budgets, timelines and workflows.

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DIMENSIONS!™ is the foundation of Procam’s software solutions for integrated product development. The CAD data and information contained within DIMENSIONS!™ are the basis for all further enterprise processes, such as cost calculation, material allocation, cutting, product data managment, production planning, etc. For what we do (mostly 3d mill), the Procam software does get the job done in the end. 2.5d doesnt get that much attention here, but I sucesfully programmed a combination of hole, pocket and profile operations in 2d&3d packages with no hassle at all, although we had to pay our vendor to custom write a post processor.

COLLABORATION
Productions are a creative, collaborative process that require effective communication. Together with your production team, we will ensure that your production goes as smoothly as possible.

COMMITMENT
From a small three camera rig to a 50 camera live music production, we are committed to working together with you to provide bespoke solutions to suit your production needs.

SUPPORT WE OFFER

Procam Projects leverages its access to specialised, industry-leading equipment, as well as its strong technical expertise to offer you the most up-to-date, tailored and comprehensive project and technical management support.

PRE-COMMISSION
We provide creative and technical support throughout the pitching process in order to help you get your project set up properly from the very start.

Procam 2d

BUDGET
We advise you on the most cost-effective solutions for your project, ensuring that you remain within budget, without compromising your creative goals.

PRODUCTION
Project planning and location management are provided throughout the production, as well technical supervision, unit managing and crewing.

POST PRODUCTION
We work closely with your post-production team to provide you with the most efficient workflows, thereby helping keep costs down and streamlining your overall production process.


FOLLOW OUR TUTORIALS FEED

UNDERSTANDING EXPOSURE
Exposure has three components which are commonly referred to as the exposure triangle.
  1. Shutter Speed: controls the duration of exposure or in other words how long the shutter remains open. The slower the shutter speed, the more time light is allowed in to be captured by the camera sensor. However, longer exposure times may result in what is referred to camera shake or blurry photos if the camera is not held perfectly still.
  2. ISO: determines how sensitive the camera sensor is to light. The higher the ISO the more noise is introduced into the shot.
  3. Aperture: refers to the diameter of the opening of the camera lens. Aperture controls the amount of light allowed to reach the sensor.

Note: While shutter speed and ISO can be manually adjusted on iPhone, the aperture is fixed.
When either shutter speed or ISO are manually adjusted, the exposure button changes from a yellow AE to a white AE-L, indicating that exposure is locked an no longer in auto mode.
AUTO EXPOSURE
To reset exposure back to auto mode, press the AE-L button. The exposure button will change to a yellow AE, indicating it is in auto mode. Alternatively, double tap the camera view to reset all parameters back to auto.
Note: While in auto mode, the exposure (AE) value can be set between -8 and 8+. The camera will automatically and continuously adjusts ISO and shutter speed to achieve the selected exposure value. The default value is 0, which means that no changed were made to ISO or shutter speed.
Note: The AE value does not reset back to 0 when auto mode is initiated as it is already in auto mode. Double tap the AE slider to reset the AE value back to 0.
MANUAL FOCUS AND FOCUS ASSIST/PEAKING
​To manually adjust focus, tap the AF button to select it and use the slider. Alternatively, the stepper buttons on each end can be used to make incremental adjustments. While focus is being adjusted, a focus assist zoom view will appear on the screen. This allows for more precise adjustments. Additionally, ProCam supports focus peaking, which highlights the areas in focus, allowing users to quickly focus the camera without missing critical shots. Focus peaking can be disabled under the PHOTO tab in the SET menu.
Note:Press the AF-L button to unlock / reset focus back to auto. Double tap the camera view to reset all parameters back to auto.
TAPPING TO ADJUST FOCUS AND USING THE AE SLIDER TO QUICKLY ADJUST EXPOSURE
  1. Tap a focus point of interest on the camera view to auto adjust focus.
  2. Press the AE button to select exposure compensation and use the slider or steppers to quickly adjust the lighting of a scene.

Note: While in auto mode, the exposure (AE) value can be set between -8 and 8+. The camera will automatically and continuously adjusts ISO and shutter speed to achieve the selected exposure value. The default value is 0, which means that no changed were made to ISO or shutter speed.
Note: The AE value does not reset back to 0 when auto mode is initiated as it is already in auto mode. This has to be performed by the user.
Photo by ProCam user Angel Russo IG @aebex.ny
TAPPING TO ADJUST FOCUS AND EXPOSURE
  1. Tap an exposure point of interest on the camera view to auto adjust exposure. An alternative method is to use the exposure compensation slider. Please refer to the previous tutorial.
  2. Long press the AE button to lock exposure. The button's color changes to white and an -L is added to indicated that exposure is locked.
  3. Tap a focus point of interest to auto adjust focus. Exposure remains locked.

Note: Press the AE button to unlock / reset exposure back to auto. Double tap the camera screen to reset all parameters back to auto.
Photo by ProCam user Angel RussoIG @ aebex.ny
LOCKING EXPOSURE, FOCUS, AND WHITE BALANCE
Long press the AE, AF, AWB, buttons to lock exposure, focus, and white balance, respectively. The buttons' color changes to white and an -L is added to indicate that they are locked.
To unlock exposure, focus, and white balance individually, press the AE-L, AF-L, AWB-L buttons, respectively. The buttons' color changes to yellow indicating that they are unlocked and in auto mode. Alternatively, double tap the camera view to unlock all parameters and reset them back to auto.
ZEBRA STRIPES - OVEREXPOSURE WARNING
By default, an overexposure warning is displayed when exposure, shutter speed, or ISO is manually, or by using 3D Touch (long press on devices that don't support 3D Touch) on the viewfinder.
Note: The option can be disabled under the PHOTO tab in the SET menu.

Procam 2d Manual

BENEFITS OF SHOOTING RAW
So what is RAW? RAW is a file format that captures all the data recorded by the sensor. Unlike, JPEG, there is no compression and no loss of information. For this reason, RAW allows photographers work with a wider range of colors and tones. More importantly though, RAW allows the correction of imperfections in post, including under/over exposure, the recovery of highlights/shadows, and of course temperature and tint.
The above comparison shots clearly highlight the benefits of shooting in RAW.
Photos by @josejacas
EXPOSURE BRACKETING (AEB)
Exposure bracketing is a photography technique where 3 shots or more (4 brackets on iPhone 5 and later, and 3 brackets on older devices) of the same scene are taken at different exposures. AEB can be used as 1) a fail safe method to insure that at least one of the shots is properly exposed, or 2) to create High Dynamic Range (HDR) photo in professional editing software such as Photoshop.
1- Press the AEB button on the secondary toolbar to select exposure bracketing.
2- Long press the AEB button to set the exposure range. The parameter on the left in the EV number and the one on the right is the EV value. The EV value can be set anywhere between -8 and 8+.
​EV 1 represent the first exposure bracket and EV 2 represents the second exposure bracket, and so on.
EV 1 - 3 >>> value can be set between -8 and 8+
EV 2 - 2 >>> value can be set between -8 and 8+
EV 3 + 2 >>> value can be set between -8 and 8+
EV 4 + 3 >>> value can be set between -8 and 8+

Procam 2d

SLOW SHUTTER / LIGHT TRAIL
  1. Light Trail photography is perfect for capturing trails of light created by moving cars, ferris wheels, fireworks, comets, etc.
  2. The best light trails are captured at sunset as opposed to night time. Ambient light insures that, along with the light trails, the rest of the scene is well lit.
  3. Focus is automatically locked at the start of a Slow Shutter capture.
  4. The use of a tripod and self timer is recommended. Otherwise, photos will come out blurry due to camera shake.

Note: press the M button on the secondary toolbar to access the manual controls menu.
SLOW SHUTTER / MOTION BLUR
  1. Motion Blur is perfect for capturing moving water, such as waterfalls, rivers, waves, etc. As illustrated in the above screenshot, Motion Blur brings life to moving subjects, and in the case of water, adds a silky / foggy effect.
  2. The use of a black and white filter can, in some cases, accentuate the effect.
  3. Focus is automatically locked at the start of a Slow Shutter capture.
  4. The use of a tripod and self timer is recommended. Otherwise, photos will come out blurry due to camera shake.

Note: press the M button on the secondary toolbar to access the manual controls menu.
Photo by ProCam user Tiffany Lachner IG @la___tiffany
PORTRIAT MODE - CAPTURING DEPTH DATA
Intelligent algorithms are used to measure the disparity between the two images captured by the dual lens system. Using the depth, a depth map is created as shown in the above example. The whitest areas represent those that are closest to the camera and the darkest those that are furthest away. The depth map is then used to mask the foreground and apply effects to the background.
ProCam's Portrait Mode doesn't directly apply a blur effect. Instead it stores the depth data in the image, which then can be used in post to apply a number of different effects. In the ProCam photo gallery, select a depth photo >>> press the Editing button >>> select the Depth editor option.
For best results, shoot in good lighting conditions and frame the subject about two feet away from the camera.
Note: Portrait Mode is only supported on iPhones with a dual/triple camera system.
3D PHOTO (AKA WIGGLEGRAM)
  1. Wigglegrams are animated images that simulate a 3D effect by quickly looping between two slightly different perspectives of a scene.The sense of depth from such images is due to parallax and to changes to the occlusion of background objects.
  2. For the most realistic 3D effect, make sure that the lenses are horizontally aligned. The animation on the camera toolbar shows the direction of the parallax effect, which is dependent on the direction of the alignment of the lenses. Sideways is recommended.
  3. Shoot in good lighting conditions.
  4. Frame the main subject in the middle ground. Placing the subject between foreground and background elements adds to the realism of the effect.

Note: 3D Photo is only supported on iPhones with a dual/triple camera system.

Procam 2d 2006

SHUTTER RELEASE OPTIONS
Press the button to the right of the shutter button to cycle through the shutter release options - Self Timer / Anti Shake / Big button / Interval / OFF.
Shutter release options are available in Photo Mode and Night Mode.
BATCH PHOTO ACTIONS
Batch sharing, deleting, resizing, and stamping actions can be accessed by pressing the multiple selection button on the top right corner of the camera roll view.
PERSPECTIVE CORRECTION
This is a very powerful tool for correcting vertical and horizontal alignment distortion. It is available for both photos and videos and can be found under the cropping menu in the photo editor and under the tools menu in the video editor.
Photo by ProCam user IG @lifeaquatiq
EXTRACTING STILLS FROM VIDEO
  1. Select a video from the album.
  2. Press the edit button on the right side of the bottom toolbar, which will present the timeline view.
  3. Swipe the time line left / right to the desired frame.
  4. Press the export button to save the frame to the camera roll.

Note: This feature is also available for 4K video, whereby 6MP frames can be extracted, or 8MP if Advanced Upscaling has been applied.

Procam 2d Download

EDITING FAVORITE FILTERS
  1. Press the heart button to add a filter to your favorites List.
  2. Select the Favorites filters category in the photo / video editor.
  3. Long press the filter you wish to edit.
  4. Press the delete button to remove.
  5. Drag to rearrange.

Note: Tap a filter to select it and tap it again to deselect it.
TILT-SHIFT LENS EFFECT
Tilt-Shift, also know as, miniature faking, is an editing technique resulting in an optical illusion whereby a life sized setting is made to look miniature. The blur effect simulates the shallow depth of field associated with macro lenses. The effect can be enhanced by increasing color saturation and contrast to simulate the bright paint typically used in scale models. the effect is particularly effective when the photo is taken from a high angle as it mirrors the top-down view when looking at a miniature model. Additionally, for best results, the blur should be aligned with the lines in the photo.
Photo 1 by ProCam user IG @benlivesey
Photo 2 by ProCam user IG @zebelkinton
TINY PLANET LENS EFFECT
Tiny Planet is a powerful lens that uses advanced algorithms to achieve in seconds what would typically take hours to manually produce in Photoshop. Simply import a photo and ProCam does the rest!

Note: For best results, a 360 panorama (as shown above) is recommended. There are many apps on the App Store that offer this functionality. Google’s Photo Sphere (free), is among the best.
4K Max - IAP $4.99
HOW IT WORKS
  1. 12MP photos are captured at up to 30 fps on iPhone 6s and later.
  2. On iPhone 6s and later, frames are cropped in realtime from a 4:3 aspect ratio of 4032x3024 to a 16:9 aspect ratio of 4032x2268 (10% higher pixel count than standard 4K) and combined into a video.
  3. Stereo audio is captured independently and added to the video in post processing.
​
PROS
  1. 4K Max videos are encoded at a bitrate of ~150mbps, 3x the quality of native iOS 4K.
  2. 4K Max has a 10% higher pixel count than standard 4K.
  3. Significantly wider view angle due to the lack of digital stabilization.
  4. More accurate color reproduction.
  5. Superior low light performance.

CONS
  1. Neither digital nor OIS video stabilization are supported. We recommend the use of a tripod or a gimbal.
  2. High speed 60 fps frame capture not supported.
  3. File size up to 4x as large as standard 4K video.
  4. Some editing software may not support the higher resolution and quality.

Note: Because of the intensive processing requirements, it is recommended that users close all open apps in the multitasking menu and restart their device.
Sample video by ProCam user Paul Marsh

Procam 2d Free Download

TIME LAPSE PHOTOGRAPHY
Time lapse is a cinematography technique in which the frequency of frames captured is significantly lower than that used to playback the sequence. When the video is played back, time appears to be moving much faster than normal. For example, a scene can be captured once every second, then played back at 60 frames per second (FPS). The result is a 60x speed increase.
Tips for capturing the perfect time lapse video:
  1. The duration of the final video is equal to the number of frames captured divided by the frame rate.
  2. The longer the time lapse interval (10 sec versus 1 sec), the faster the effect.
  3. Playback speed is also dependent on the frame rate. The higher the fps (60 fps versus 24 fps), the faster the sequence.
  4. To avoid camera shake at the start of a sequence, make use of the start delay option which is set to 10 sec by default.
  5. Make sure your phone is fully charged. To conserve power, set the time lapse screen brightness option to a level where the screen is as dim as possible while still being visible.
  6. To avoid interruptions, switch flight mode ON.
  7. It is recommended that you lock focus, exposure, and WB. To do so, press the M button on the secondary toolbar and long press the AE button, the AF button, and the AWB button. The button will change color from yellow to white and '-L' will be appended to the end.

Note: Time Lapse sequence settings are accessed under the VIDEO tab in the SET menu, while frame rate and resolution are access by pressing the little chevron button to the left of the shutter button.
Sample video by ProCam user Jamie Alexander